Educator, Composer, Musician, Scientist
Philip DiTullio is a scientist and musician who has researched and studied the Schillinger System with the last of the authorized teachers and a trail left by Joseph Schillinger himself. His ten years of research has led him through a winding journey of Schillinger’s work beginning in Russia extending to Canada then to the United States of America uncovering stories of escaping espionage and deportation all for his music of composition theory. Phil’s study of this system ushered him to depths of music he never imagined. This combination of music and science heralded him to ground breaking discoveries and the Logic of music was developed.
His work has been praised as the Schillinger scholar of our times by the Artists Recording Collection. His students hold him in the highest esteem and praise his educational style and teaching methods.
His work continually pushes musical limits in his own compositions. He has engineered an alternative reality by bending waveforms within his music. Finding the link between mathematics and music, he developed into the Logic of Music. He is a composer, musician and educator. Giving the modular synthesizer a prominent role in his studio he is blazing new trails and taking courageous steps in the development of electronic music.
Philip Anthony DiTullio
Tel: (508) 250-8396
2008-Present Educator at the Practical Schillinger School of Music. Teaching the Schillinger System of Musical Composition (a mathematical theory of music), Music Production, Sound Design and Modular Synthesis. My Schillinger System Students include: Kim Cascone, Frank Bozak , Emmanuel Fatna, Sergio Armaroli, to name a few.
2005-Present Founder of the Schillinger Society.
2011 Educator, Artists Recording Collective, Recording Contract Leavenworth, Kansas
2008 Guest Speaker, Berklee College of Music, Boston MA
2007- Present Consultant, The Stan Getz Library, Berklee College of Music, Boston MA
2007 Founder and educator, Schillinger Society, Milford MA
1999-2001 RadioBoston.com Internet radio VJ, Boston/Somerville MA
1994-1997 Dreamtime Café, live show producer, Middleboro, MA
1994-1997 Owner of Next Step Studio, Middleboro, MA Project studio recorded and mixed many artists.
1996-2002 Sound Engineer for General Business Band.
1986-1989 Dr.T’s customer support beta testing
September 1986-May 1989, Alumni, MP&E
Berklee College of Music, 1140 Boylston Street, Boston MA 02215
July, 2005-present Advanced Lessons in Schillinger System of Musical Composition under the direction of Jerome Walman.
Bay of Fundy, 2013, Haunting soundscape using the Schillinger System.
Origins, 2011, A Schillinger system composition employing Luc Ferrari field recordings.
Tectonic Movement, 2010 with Kim Cascone
Perpetual Wave, 2010
Last Station, 2010: Played at SoundGate installation October-November 2010.
2009, Artist Frank Bozak
Contemporary Music Review “Resurrecting Joseph Schillinger 11/2011
Berklee Today, “The Power of Permutations” summer 2009
April, 2008 Educator of the Schillinger System of Musical Composition
February, 2008. Lecture, Berklee College of Music, Boston MA
December, 2007- present. President, Schillinger Society.
Membership in Professional Organizations
Schillinger Society, President, December 2007- present
Boston Csound Users Group, member since 2007-present
Broadcast Music Inc. (BMI), member since 2002-present
Berklee Alumni Association, member since May, 1989-present
August 2005-present Historical Researcher
Supervisor: Mr. Louis Pine, M.A.
Worked closely with Mr. Pine in compiling data on the Schillinger System of Musical Composition, interviewing previous teachers and students of Joseph Schillinger. Review of teaching notes of students and teachers
Supervisory and Teaching Experience:
October, 2005 Berklee College of Music, Boston MA
Supervisor: Mr. Louis Pine
Working in conjunction with Mr. Pine we were able to validate the existence of 11 notebooks which were contained in the achieves at Berklee College the original works of Joseph Schillinger’s Arranging courses that were develop by Lawrence Berk for his students. “Schillinger House, School of Music, Supervised Self Study Course in Arranging and Composition,” copyright 1950.
Educator-training site for Schillinger System
The Schillinger Society is committed to the preservation and promotion of the mathematical theories developed by Joseph Schillinger. These mathematical theories translated into many areas of music and the arts.
This society serves as custodians of the Schillinger’s teachings which encompass a vast body of work including theories of mathematical musical compositions, his manuscripts, and his works of art. The distribution of this information will be made available to promote education via lectures, pod casts, news feeds and courses.
By protecting and maintaining the integrity of the theories of Joseph Schillinger it will serve to foster continued exploration and education in the field of the mathematical basis of the arts.
Submitted for analysis of Leith Stevens “War of the Worlds” Rhythms to Journal of Film music.
July, 2005-present Project Coordinator for assembling all works done by
Joseph Schillinger as it pertains to his work on Musical Composition.
Berklee College of Music, Boston MA
Library of Congress, Washington DC.
University of Georgia, Athens, GA.
Eastman School of Music, Rochester, NY
New York Public Library at Lincoln Center, New York, NY
University of Maryland, College Park, MD
Yale University, New Haven, Conn
Training and Certifications, Professional Masters Classes:
May 15, 2014 Private Music Composition Lessons, Gil Goldstein
May 30, 2007 Dr. Richard Boulanger, Csound applications toward Schillinger.
August, 2006 Mikel Rouse “The End of Cinematics” University of North Carolina,
April, 2006 Csound User’s group, Berklee College of Music, Boston MA
March 8, 2006 “Creativity & Collaboration” with Philip Glass, Williams College, Williamstown MA
October, 2005 “Master Class with Jimmy Heath” Berklee College of Music, Boston MA
1980-1992 Private Guitar & Music Theory Studies with Randy Roos
March 8, 2006
My Studio and equipment proficiency:
DAWs: Logic Pro X , Ableton Live, Sonar and ProTools.
Sound Libraries: East West Quantum Leap Orchestra Gold
Native Instruments Komplete 9.
Mixing Board Analog: Studiomaster Mixdown Gold 16x8x16
Audio Interface Steinberg UR28
M-Audio Keystation Pro 88 Controller
Guitar Charvel Jackson 1984
1963 Fender Bassman Amplifier
MiniMoog Model D 1972
Clouds, Sputnik VCO, Tonestar 2600, Envelator, uVCA, Wogglebug, ES Disting.